Every Shot Kendrick Lamar Took on "GNX" Explained
Following months of speculation and anticipation, Kendrick Lamar has officially returned with his surprise album, "GNX".
Released without warning on November 22, the album is a bold statement filled with Kendrick’s signature lyricism and profound perspective.
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From critiques of industry norms to subtle jabs at fellow rappers, GNX is a treasure trove for hip-hop enthusiasts dissecting Kendrick’s sharp commentary on the rap game.
Let’s explore the notable shots he takes at his peers throughout this exciting project.
Kendrick Lamar’s ‘GNX’ Album: What Each Track Really Means
Snoop Dogg
Kendrick's relationship with Snoop Dogg adds another layer of complexity to his latest release.
The rapper addresses Snoop’s Instagram post featuring Drake’s “Taylor Made Freestyle,” which controversially utilized an A.I. voice of Snoop himself. In the track “Wacced Out Murals,” Kendrick raps:
"Snoop posted ‘Taylor Made,’ I prayed it was the edibles / I couldn’t believe it, it was only right for me to let it go."
This line not only questions Snoop’s loyalty but also pokes fun at the absurdity of the situation.
Kendrick’s incredulity reveals an underlying tension, demonstrating how even established legends aren’t immune to scrutiny when it comes to their choices in the contemporary digital landscape.
Drake
Although Kendrick refrains from directly dissing Drake, he certainly alludes to their ongoing rivalry.
Drake has been known for his subtle jabs, and Kendrick deftly counters by sidestepping the direct beef. Instead, on the same “Wacced Out Murals” track, he states:
"People from my city could never entertain ol’ boy promising big transaction and even Bitcoin."
This line might seem cryptic but serves as an assertion of his authenticity against the backdrop of Drake's often criticized commercialism.
Further, Kendrick seemingly dismisses Drake's "The Heart Pt. 6" by continuing the "Heart" series with his own installment, reinforcing that he refuses to let anything slide without a response.
In another bar, Kendrick raps:
"I’ll never peace it up that shit don’t sit well with me, before I take a truce I’ll take him to hell with me.”
This unmistakable line solidifies his position: there will be no reconciliation until the substance of the issues at hand is resolved.
J. Cole
Later in “wacced out murals,” Kendrick Lamar delivers a sharp critique of J. Cole’s recent apology regarding his own diss track, “7 Minute Drill.” In a powerful verse, Kendrick raps:
“F*ck apologies, I wanna see y’all geeked up / Don’t acknowledge me, then maybe we can say it’s fair / Take it to the internet and I’ma take it there.”
This line encapsulates Kendrick’s disdain for half-hearted gestures, making it clear that he craves genuine competition and engagement rather than token reconciliations.
His attitude reflects a deeper desire for authenticity in the rap game, urging his peers to bring their full energy to the discussion rather than simply offering apologies.
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Lil Wayne
Kendrick’s lyrical roughness doesn’t stop with Snoop and Drake; he also takes aim at the legacy of Lil Wayne.
The opening track, “Wacced Out Murals,” reveals Kendrick’s respect for Wayne while also recognizing a complex dynamic at play regarding the upcoming Super Bowl performance:
"I used to bump Tha Carter III, I held my Rollie chain proud/The irony I think my hard work let Lil Wayne down."
In this poignant line, Kendrick acknowledges his admiration for Lil Wayne while hinting that the decision to choose him over the New Orleans legend is a bittersweet conflict.
Kendrick raps:
"Whatever though, call me crazy, everybody questionable/Turn em to an Eskimo/I drew the line and decimal. Won the Super Bowl and Nas the only one congratulate me, all these n*ggas agitated/I’m just glad they showing they faces."
Kendrick understands the weight of expectations tied to his position in the industry while also attempting to navigate his trajectory as a leading artist.
Andrew Schulz
One of the standout tracks from Kendrick Lamar's latest album is “wacced out murals,” which has sparked considerable discussion among fans.
Many are suggesting that Kendrick may be targeting comedian Andrew Schulz with some of his lyrics.
The song addresses a controversial moment involving a white comedian making jokes about Black women, although Kendrick has not officially confirmed who he's referring to.
In a notable verse, Kendrick declares:
"Don't let no white comedian talk about no Black woman, that's law, I know propaganda work for them, and f*** whoever that's close to them.”
While he refrains from naming any specific comedian, social media chatter has linked his comments to remarks made by Schulz earlier this year, further igniting the debate around the topic.
Black Hippy
The enigmatic supergroup Black Hippy, which consists of Kendrick, ScHoolboy Q, Jay Rock, and Ab-Soul, is another subject of Kendrick’s reflection. In a candid moment, he admits:
“Black Hippy didn’t work because of me / Creatively, I moved on with new concepts in reach.”
This revelation sheds light on the internal dynamics that hindered the group’s progress.
By taking responsibility, Kendrick showcases growth while subtly hinting at the challenges of collaboration in an evolving music scene.
Kendrick Lamar’s GNX is a masterclass in hip-hop expression, showcasing his lyrical prowess while addressing the real and complex dynamics within the rap industry.
Through shots at Snoop Dogg, Drake, Lil Wayne, and even discussions around collaborations like Black Hippy, Kendrick reflects on his place in a legacy that continually evolves.
With each verse, he asserts his authenticity and challenges his peers to consider the weight of their choices in the ever-competitive landscape of hip hop.
As the dust settles, one thing is clear: Kendrick is back, and he’s not holding back.